Part of what made Cudi’s music appealing in the first place was that he was an everyman. To make the album seem more important, it’s split into four acts and attempts to follow a loose concept about trying to defeat his demons and find peace. On the album, the old crew is back-Dot Da Genius, Mike Dean, Plain Pat, Emile Haynie, and even Evan Mast of Ratatat-and some new faces have been added into the fold: Most specifically Take a Daytrip, the beat-making duo who show up when the major Atlanta-based producers are too busy. 1 single with Travis Scott.) But even though Cudi’s heart is in the right place, Man on the Moon III is still like when the old rock band reunites and their costumes don’t fit anymore. (This year alone, he starred in the new Luca Guadagnino HBO show, appeared in the third Bill and Ted movie, and scored a No. He’s been doing relatively fine without it. To Cudi’s credit, Man on the Moon III: The Chosen is not a cash grab or a plea for relevance.
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